Posts filed under “Digital Culture”

Tribes, Flocks, and Single Servings – The Evolution of Digital Behavior

This post explores some of my thoughts around concepts of Digital Culture.  You can find the other related entries HERE. 

I’ve been thinking a lot about the relationships we form online. One of my favorite things to do is to deep-dive within various online communities, exploring their culture, rituals, and habits. From obscure fandoms and hobby groups to lifestyle forums and hashtag movements, I’m always fascinated by the ever-changing nature of our online interactions.

As our online behavior becomes more complex, I’ve found the term “online community” to be an inadequate and limiting way to describe the pockets of activity that I was seeing. I started playing around with different frameworks to help me spot emerging trends and behaviors. After several iterations, I decided to concentrate on the two elements that were consistently the most useful: Engagement Length and Intimacy Level.

I focused on these two elements because they were actions that weren’t limited to a specific platform. Different groups use various social networks in different ways and calling something “a Facebook group” or “A message board” was not an accurate representation of the intent or purpose of that particular community. Digital spaces also possess an inherent fluidity that allows groups to evolve over time, and I wanted to be able to map that change as well.

I created a framework that has been helping me capture the spaces that I’m tracking. It’s still evolving so it might change as I continue to use it, but for now it’s been very useful.

Here are the categories that I’ve been using so far:

TRIBES: High Intimacy/Long Term Engagement

This represents an online community with a deep and vibrant digital culture. There’s a shared history, unique vocabulary (group-specific acronyms/memes/inside jokes). There is a longevity to the community that exists even if there is a frequent level of membership churn. Participants are highly engaged and active.

A good example of tribes would be very active fandoms where participants know each other (online), Gaming Guilds, and Facebook groups that are focused on a specific value or activity that is not time-specific (like a book club or fitness support group). This also includes networks like TheThousand Network and Summit Series that bridge the gaps between online and offline spaces as well.

ECOSYSTEMS: Low Intimacy/Long Term Engagement

Long-term engagement without the accompanying intimacy falls into the next quadrant, ecosystems. Ecosystems are the broadest base of digital platforms. They provide the space to capture engagement but aren’t directed or anchored by a specific goal or value. This is where I believe social networks in general fit in. I would consider my Twitter feed to fall within this category: I am connected to a lot of people, I’ve been on the platform for a few years, but I wouldn’t categorize my engagement as being highly intimate.

Some people will argue that Facebook is more of a tribe, and that I would say it depends on usage. I think it was originally intended to be a tribe-based platform, but with friend lists now reaching the thousands, it has evolved into an ecosystem that supports various tribes in the form of groups and pages. It does depend on usage?—?if you have cultivated a small and intimate list of friends then it could serve as your tribe, and that could be mapped accordingly.

FLOCKS: Hight Intimacy/Short Term Engagement

Flocks represent short, intense busts of high intimacy interactions. They are most often characterized by current events that trigger an emotional response from the public. During a Flock, a collective and temporary movement is created online as users share, comment, and create content based on the subject matter. The initial swell eventually dissipates and stops being discussed all together.

I should note that the emotional response doesn’t always have to be serious! These interactions are categorized by an intense but temporary alignment with a collective audience.

The most common manifestation of a Flock is usually through the use of a time-sensitive hashtag that goes viral. Last year, some of the most popular flocks that were spotted included:

  • #JeSuisParis/#PrayforParis after the horrific terror attacks in Paris last November. (I wrote about Digital Culture during times of crisis here.)
  • #LoveWins was used by people all over the world to celebrate the American Supreme Court’s decision to legalize gay marriage in June of 2015.
  • Some might remember the bizarre viral incident that happened involving a specific #thedress that confused and shocked the digital world as factions debating #BlueandBlack versus #WhiteandGold.

Another characteristic of a Flock are memes that are created in response to these events. A good example of this is the frenzy that erupted when Leo DiCaprio finally won a Best Actor Oscar.

SINGLE SERVINGS: Low Intimacy/Short Term Engagement

These digital spaces focus on exchanges that are transactional in nature and usually only occur once, leading to a low level of digital intimacy. Most common versions of these include review-based sites like Trip Advisor or Yelp, and digital sales platforms like Etsy or eBay.

Understanding the Continuum

For me, the most interesting part is the overlap and changes that occur on this map. For example, #blacklivesmatter started as a Flock (through the use of #Ferguson, #Charleson, and #BaltimoreProtests hashtags) and is now transitioning closer and closer to the Tribe stage as people start to form relationships and build movements around this civil rights cause.

Another interesting example is the r/relationships subreddit where users post about their problems and ask for advice from the community. Despite the anonymity, the posts are usually very intimate and revealing, however the interaction itself is quite transactional. There is some continuity with people posting updates after they’ve received advice, but usually people vanish afterwards, and some even delete their post. So despite the perceived high intimacy, the norm of creating a “throw away” (an account that you create just to post in this forum, versus the main account that you use on the site) would indicate that this is a Single Serve.

I’ll be posting more of my findings and research in the upcoming weeks as I continue to refine and tweak this framework, and would love to hear your thoughts.

If you’ve found this post interesting you might also enjoy my monthly newsletter where I share research from my current projects, as well as talk about digital culture, creativity, productivity, and tech. Here’s one I wrote about Leo’s Oscar Meme frenzy. And one about Abe Lincoln’s use of the world Hustle. Happy reading!

Can we stop with the early bird propaganda?

This post, is a part of my thinking and research for my new book, HUSTLE & FLOAT that centers around the tensions between productivity and creativity. You can follow other related entries here
HOOT HOOT!

I’ve always hated mornings. Give me the darkest hours of night, and I’ll show you my most productive output. I’ve flirted with being an early riser before. Unfortunately, much like overly strict diets, the resulting misery was never worth it and the battle against my body’s natural rhythm was exhaustive and often counter-productive.

I’ve made peace with the fact that I am a creature of the night. I get up around 9am (sometimes later). I like to read, exercise, and am ready to start work right after lunch. I’ll work until dinner, eat, and then go back to my computer for another few hours. 9pm until 3 am is my most productive and magical time. I’ll average thousands of words written, I’ll power through research, and I’ll come up to solutions for client work.

I’m not advocating you adopt my methods, just outlining what works for me. I’ve never thought of my routine as worse or better than an early riser’s and so, I must admit, I’m a little annoyed at the constant preaching about how the most productive people are early risers. There is an interesting early-riser archetype that is being packaged in the media as the embodiment of discipline and success. It’s one of the fascinating cultural influences that I’m researching for my new book, Hustle & Float.

A few points:

  1. We’re all different. Scientists are discovering that early risers and night owls have different brain structures and that our preferences for early mornings or late nights is built into our genetic code. Forcing people who have a natural predisposition to stay up late to conform to early hours can have a negative impact on the actual physiology of their brain. So just because your best creativity happens at 5am, that might not be the case for your spouse, partners, and colleagues.
  2. There’s no one right answer. For every study that says early risers are more productive, there’s one that favors night owls. (Here is one about how people with higher IQs are usually more nocturnal. Not to be outdone, early risers are apparently happier. And so on.)
  3. It’s the same advantages and disadvantages. You know those early morning hours of uninterrupted time? I get the same thing at the other end of the day. While you’re getting ready for a 10pm bedtime, that’s when I’m powering up. And when you’re kicking your to-do list’s ass in the morning, I’m fast asleep. Let’s stop focusing on arbitrary metrics like hours and start looking at output instead.

So how about we stop trying to shame other people into changing a normal and natural preference? Instead, let’s encourage people to:

a) Become attuned to their own energy cycles and schedule their time accordingly. Track your energy and productivity levels during the day and pinpoint your most creative times. For me, it’s between 9pm and 3am. For you, it could be 6am or 3pm. Whatever it is, guard that period of time for your most important work.

b) Make sure you get enough sleep. This amount also varies by person, and could be anywhere from 6–9 hours. You can use a sleep tracking app to find that ideal time and try to avoid over-sleeping.

c) Let’s be compassionate to each other. Especially when scheduling meeting times. I promise I won’t hit you with a 7pm calendar request if you never schedule anything before 10:30am ever again.

Let’s stop trying to make everyone fit in some one-size fits all sleeping schedule. HOOT HOOT!

f you’ve found this post interesting you might also enjoy my monthly newsletter where I share research from my current projects, as well as talk about digital culture, creativity, productivity, and tech. Here’s one I wrote about Leo’s Oscar Meme frenzy. And one aboutAbe Lincoln’s use of the world Hustle. Happy reading!

Paris Under Attack: Digital Culture in Times of Crisis

This post explores some of my thoughts around concepts of Digital Culture.  You can find the other related entries HERE. 

The Paris Attacks demonstrate the influence and impact of digital tools during a time of crisis and identify clear ways that technology is changing our responses, reactions, and behaviors.

Over the years, I have identified five stages of digital culture that take place during a crisis as a part of my broader research on how we can use technology to improve our responses during these tragic events.

This post will outline each of the five stages and explore how different stakeholders (Government, Citizens, Media, and Technology Companies) act during each phase.

Sketch done on Paper iPad app

1) First Awareness: “Is something going on in Paris?”

The first phase in the digital crisis curve is the shortest, it represents the initial realization that something out of the ordinary is taking place.

The hyper-fluidity of information is reflected in a rapidly evolving set of hashtags that capture our attempts to piece together an understanding of the situation from a diverse set of sources.

On the evening of Friday the 13th, the hashtag #parisshootings was one of the original tags that originated and was quickly replaced by #parisattacks as more details about scope of the attack emerged.

Early hashtag describing incident as shootings.

For citizens using digital media tools, this early phase is characterized by information-seeking posts of a questioning nature. (“I’m hearing sirens around République, does anyone know what’s up?”) By now, media outlets have been alerted to an active situation and will dispatch reporters to the scene and set up event live blogs.

The significance of this phase lies in our behavior as information consumers to turn to social media as a first point of interaction with the crisis. In many cases, tweets are the digital first responders, and the platform becomes the source of raw, real-time information. We are drawn to the drama, and are willing to trade unverified information in exchange for up to the minute updates.

The role of hashtags also highlight our appetite for broad, real-time coverage. Searching for trending terms allow us to easily go beyond our feed to follow the conversation wherever it might be happening. Twitter is built on the notion of content curation from a trusted network, and hashtags enable us to temporarily break free from these social constraints and find people based on their relationship to the relevant information. It’s an agile type of temporary informational connectivity that becomes incredibly useful during a crisis. Twitter’s moments feature also demonstrated a good way to filter information.

2) Informational Maelstrom : “There is something happening in Paris!”

Critical mass of awareness of the event is reached when hashtags become trending on popular sites, social media posts begin to go viral, and an the mainstream media begins coverage. We are in full blown crisis mode.

This phase tends to be the most intense and chaotic, as it’s characterized by an abundance of information (sometimes conflicting, often unverified) as people scramble to understand and share information.

In many cases, this phase happens as the crisis is still occurring, and the sharing of facts and figures that can change in an instant creates confusion, panic, and fear. The hashtags for the event are well defined and used by the majority of individuals, media outlets and governments (#parisattacks, #attentatsparis). We also see a surge of new information as the focus of covering the crisis expands to include logistics and personal appeals.

Once the locations of the attacks in Paris became public, people from around the world scrambled to track down family members and friends. On Twitter, #rechercheParis was widely used by those seeking the whereabouts of loved ones.

As the city went on full alert, public transportation closures and venue evacuations left many people in the affected areas stranded and unable to get home. #portesouvertes emerged as a quick, citizen-led response to connect those with apartments nearby to those who needed shelter. At it’s peak the tag was mentioned in nearly 7,000 tweets per second.

Airbnb sent out an email to all of their French members saying it would waive hosting fees and launched a disaster response page to help people in urgent need of accommodation, and Parisians kindly offered strangers their hospitality.

Airbnb Disaster Response Page

Content showing some of the first eye-witness accounts of photos and video clips (such as this viral video showing victims as they ran to escape from the Bataclan) gained wide traction and traditional media coverage, including a high volume of retweets and shares.

One of the biggest wins for technology during the attacks was Facebook’s“Safety Check” feature. Originally intended as a response for natural disasters, the feature enabled those who were in the affected area (determined by geolocation or current city setting) to quickly mark themselves as safe. It was like a digital attendance-taking, much to the relief of family and friends. In the first 24 hours of activation, 4.1 million Facebook users marked themselves as safe, reaching over 360 million people.

The effectiveness of this widely praised technology is a reflection of our extensive and digitally connected social circles, especially those nuanced weaker connections. My immediate family and close friends reached out to me via Facetime, SMS, phone or instant messaging apps. Extended family and friends, colleagues, and those hard to define acquaintances that cover the spectrum from people I went to grade 3 with and that guy I met at a conference once- all reached out via Facebook making the safety feature the perfect way to share the most relevant piece of information at that time: I am ok. I am safe.

It was a great relief to me to see those little green checkmarks as well. Living close to the affected area, I immediately started my own round of outreach and being able to see who was already marked as safe was a great comfort during a period of anxious uncertainty.

At this point in time, media coverage becomes short, frequently updated posts that serve as a frontline for verifying and confirming information amidst the chaos, an essential task that leverages an institutions credibility to create a narrative to make sense of what’s going on. Before the ease of digital publishing we would have had to wait for the next day’s newspaper, but thanks to a constant news coverage, we were able get a clearer picture of the events as they unfolded.

During the Paris attacks we knew there were several different sites that were hit, an emerging hostage situation and that many people had been killed. Information is still changing as journalists have to contend with changing facts, for example the death toll fluctuated between 40 and 200 people over the course of Friday night.

Further highlighting the influence of digital media during times of crisis, government and police stepped in quickly to ask the public to refrain from live-sharing the movements of police forces, especially during on-going operations as it could not only alert suspects but could jeopardize the safety of hostages and the general public. Users on Twitter, Facebook, and Redditwere instructed to not post or share this type of information, a reflection of our connected information ecosystem and the instantaneous nature of social networks.

Governments also turned to social media to circulate important information such as the numbers for embassies in Paris for tourists, airport shutdowns, public transportation disruptions, border closures, and the declaration of a state of emergency by President Hollande. The French Government also introduced a website where people could give tips about suspects.

3) The Narrative Peak?—?“The Paris Attacks have killed 132 People. Responsibility was claimed by Da’esh.”

The Narrative Peak occurs once the event has maximum digital exposure and the active crisis has passed.

By Saturday morning, the main facts of the attacks were widely known including officially confirmed details such as the number of attackers, number of victims, etc. Media coverage shifts from breaking news to analysis and in-depth coverage.

4) Digital Solidarity and Shared Grief?—?“This is how I feel about what happened.”

The Narrative Peak is followed by shows of solidarity and emotional reactions to the events that have transpired. On Twitter, #prayforparis quickly became a leading term for sending condolences from around the world across a variety of mediums. Other tags included #memepaspeur (not even scared) and #jesuisparis (I am Paris.)

Nuanced representations by several communities evolved as well, adding their own unique commentaries. #Iammuslim was a popular tag where members of the Muslim community condemned the attacks and distanced themselves from the radical extremists, revealing the unease and fear in the potential blowback and retaliation for these events (like this. Or this.) Interestingly, #jesuisjuif also emerged from the Jewish community to draw parallels between the Paris attacks and similar attacks in Israel. Finally, many people adding #beirut to tweets about the attacks, making the point that they felt the recent attacks in Beirut (Over 4o people killed) did not receive the same type of media attention and global outpouring of support.

One image of the Eiffel Tower as a part of a peace sign by French artist, Jean Jullien become one of the most recognized symbols of the Paris Attacks and has been shared hundreds of thousands of times on Instagram, Facebook, and Twitter.

User-generated media such as this video of French Exchange students singing their country’s National Anthem in New York, show a deeply personal and intimate view of how different people paid their respects.These elements create socially connected movements devoid of proximity, and show the unity of a global digital population. The twitter account@parisvictims , shares information about each of the victims. It’s a powerful way to forge a connection about the people who have died, beyond just the numbers.

Media stories now reflect personal accounts and human interest pieces (you can listen to my story on CBC’s MetroMorning here.)

The images and videos provide a powerful show of support without words: famous monuments lit up in France’s colors, snapshots of vigils from around the world, tweets and posts as people share their own memories?—?all unite people through technology in their grief.

The hacker collective Anonymous, have also declared war on Daesh, in retaliation for the attacks and has already taken down the accounts of5,500 twitter handles with links to the extremist group.

Technology companies also showed their support. The Uber app showed all available cars with the colors of the French Flag. Google showed a black ribbon on their home page, and offered free calls to France from Hangouts. Facebook provided another nifty feature to show solidarity by enabling users to add a French Flag overlay to their profile picture, complete with expiry date.

Cynics might sneer at the seemingly superficial gesture of changing a profile picture or adding a hashtag to a tweet, but as someone who is still reeling with shock, I can’t tell you how much I appreciate the images of support from around the world.

People from Mumbai send their love

5) Ramp Down. “Let’s move forward.”

The ramp down hasn’t fully happened yet. It normally takes place after the first official ceremonial acknowledgement of the event that has taken place. In Paris, it will most likely be later this week as people gather in public spaces to mourn and grieve for the victims.

This phase signifies a shift from mourning to moving forward. Profile pictures return to normal, hashtags no longer trending, and people’s posts turn to the next media story. This will depend on the location, as in France one can expect this phase to last a lot longer than in other countries.

In Paris, #openbistro has been one of the earliest tags to pop up encouraging people to support local businesses despite the feelings of fear and uncertainty that linger. The media will cover more stories about the victims and longer-form essays will be published to look at the broader implications of this attack on politics, policy, and general sentiment.

Together We Stand

This last week in Paris has been horrible. I am devastated by the loss of life and am struggling to emotionally make sense of it all?—?though I doubt I’ll ever understand what drives a person to such a level of hatred. I am also saddened by the anti-refugee rhetoric that I’ve seen pop up on social media.

Let’s all remember that these people are fleeing the evils of Daesh too. Syrians have been experiencing this level of atrocity for the past four years. If you don’t believe me, check out this recent report from the WHO that estimates there are over 25,000 newly injured Syrians EACH MONTH. It breaks my heart to think of the horrors one must face before risking their lives and leaving everything they’ve known becomes the better alternative.

Technology has connected us to each other at an unprecedented scale. My research focuses on the emergence of the first Global Digital Culture and how we are experiencing events collectively within this new connected ecosystem.

Yes, there are some who will use this technology to spread hate and lies, but it’s brought me tremendous comfort to know that there are others like me who are out there?—?who want to use these tools to help and support each other.

Every time I find myself feeling sad about what happened, I turn to the Internet and know that somewhere out there someone is sending us love and hope. For now, that’s enough.

Climb The Mountains and Get Their Good Tidings

This post explores some of my thoughts around concepts of Digital Culture.  You can find the other related entries HERE. 

 

*** This is an excerpt from the July Issue of Red Thread’s monthly newsletter. ***

Every month, my co-founder (and sister) Riwa and I pick a theme to explore . This month, we explored technology and nature.

In his 1986 memoir, American evolutionary biologist, E. O. Wilson describes the term biophilia as a fundamental, genetically based need for humans to interact with nature. This month, we spent some time exploring how technology has altered our experiences with the living world.

1. Our experiences of nature are now mediated by technology

Sue Thomas, author of Technophobilia: Nature In Cyberspace ponders whether or not we can get enough nature in the digital world, and explores the natural metaphors we use in our technological lingo. (Surfing the web, virus, cloud).

We have so much of “nature” at our fingertips. With HD quality videos, live streaming webcams, and 3D tours, we can explore the wonders of the world without leaving the comforts of home. In “Nature, Pixelated” Diane Ackerman discusses the paradox of experiencing the natural world through technology that provides greater access and detail while also flattening the sensory experience.

2. Nature continues to exert its influence on innovation and technology.

We’ve created neonatal tape inspired by spider webs, used the reflectiveness of butterfly wings to design a new e-reader display, and that’s just the beginning. Ask Nature, the world’s first biomimicry portal, is an open-source platform cataloguing more than 1200 ways that nature could help us solve some of our biggest challenges.

3. Our adaptivity as a species might work against us

Today we run the risk of “Environmental General Amnesia,” a gradual adaptation to the lack of nature around us will lower each subsequent generation’s baseline of what counts as a full measure experience. Thanks so light pollution, some children have never seen a star in real life. And that might become the “new normal.”

Henry Beston, Writer and Naturalist, wonders about our disappearing connection with nature:

Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. Are modern folk, perhaps, afraid of the night?

Do they fear that vast serenity, the mystery of infinite space, the austerity of the stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs?

 

TL/DR: 

The good news: Technology is making it easier for us to exchange information and find solutions to solve the mounting environmental crisis. The bad news: The source of most of the planet’s problems? Us.

 

 

***

The full edition of the newsletter includes awesome links, downloads and other extras. Enjoy!

New York: The Sketchbook Project

This post, is a part of my thinking and research for my new book, HUSTLE & FLOAT that centres around the tensions between productivity and creativity. You can follow other related entries here

 

From my Instagram @foushy

One of my best friends, Dan, organized an amazing surprise for me during my last trip to NYC: a visit to the Sketchbook Project in Brooklyn, a crowd-sourced library that features more than 33,000 artist sketchbooks from around the world. Free to the public, you can use the handy mobile site to search through the massive collection using keywords, locations or artist names.

If you’re a creative, this place is pure heaven. I’ve been obsessed with perusing people’s sketchbooks online for years, and we easily spent a few hours diving into the imaginations of strangers. It. Was. Awesome. If you’re headed to NYC in the near future – add this to your list of must-sees! If you’re too far away to enjoy, worry not! There’s  a digital version of the library too.

 

I was so inspired by the experience – there’s nothing like being surrounded by creative work. The space just had a vibrant energy that had be eager to get back home and work on my own stuff! It was incredibly useful for my Hustle & Float research and I’m already trying to figure out when I can go back to spend some more time there. I’m even toying with the idea of submitting my own sketchbook! 😉

 

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