Posts filed under “Blog”

Rahaf named to Hay 30 “Future Thinkers” List

 

Image result for hay on wye festival 2016

 

In celebration of it’s 30th Anniversary, the Hay Literary Festival created the “Hay 30” a list of 30 young writers and thinkers who will help shape and imagine the world in the next 30 years.

I am incredibly honored to have been included in this selection!

This weekend, I will be traveling to the charming United Kingdom village of Hay-on-Wye, to participate in the festival and share some of my research on digital intimacy, and the implications of living in a Data Abundant World.

You can find the entire list here.

Off to write HUSTLE & FLOAT! See you in SEPT!

This post, is a part of my thinking and research for my new book, HUSTLE & FLOAT that centres around the tensions between productivity and creativity. You can follow other related entries here

Doodles - 15

 

WRITING: THE NEED FOR SPEED

For the next few weeks I’ll be in my writer’s cave working on Hustle and Float with my co-author Riwa. I’ll be splitting my time between the deserted cafes of Paris, where most people have left for their annual vacation, and Muskoka, Ontario, where Jesse and I have rented a lake-front cottage.  It’s the perfect venue to contemplate creativity, productivity, and the importance of being unplugged.

I’m pretty excited to start this phase of the project because by the end of the month, I’ll have a very, very, early draft of the whole book. I always print out the first copy of the draft, no matter how awful it is (and it’s usually pretty heinous) because it marks the transition of something from an idea to a physical reality.

Speed is the name of the game for first drafts and so I’ll be doing a month-long writing sprint: a dedicated period of intense focus where I’ll do nothing but hit my daily wordcount: about 2000-3500 words per day. If that sounds like a lot, consider that when I was working on Decoded, I was averaging about 4000-5000 words per day.

I learned this process, called Fast Draft, in a workshop run by Candace Haven a few years ago. I was averaging close to 8,000-10,000 words per day and it was the most intense writing I’ve ever done. Add to that a couple of years of NANOWRIMO   and suddenly 3,000 words per day feels like a vacation!

On that note – there won’t be any new content here on the blog until September when I’ll be sharing chapter excerpts, research notes and more. (The best stuff always goes out to subscribers first!)

 

 A note on process: it’s not magic. 

Reading Show Your Work by Austin Kleon has taught me the importance of peeling back the layers and sharing what goes on behind the scenes of my writing. So, I’ve included a few notes on my own process and some tips if you want to try Fast Drafting yourself.

TL:DR: Hitting high word count consistently isn’t magic – it requires preparation and practice. For me, I try to make sure that I have as much of the prep work done as possible in advance.

 

1. Outlines are your friends.

I’ve been working on the research outline for Hustle and Float for close to a year now, and I’m finally ready to start putting words on the page. If you have a solid outline this process becomes a joy because you’ve basically created a map for yourself to follow.

word countOutlines are the touchstones of my process. I cannot (and will not) do anything without an outline whether it’s a 700 word post or a 70,000 word manuscript. I like to plan everything out in advance before I write anything on a page. The outline is probably the most intensive part of the process because it forces you to chart your course and figure out how your ideas will unfold beforehand.

Not every writer uses outlines but I swear by them. I’ve had too many friends  in the middle of writing a massive chapter, only to realize they forgot crucial research, have over/under estimated their word count or discover their chapter is missing a logical flow. For me, an outline addresses all of these problems. It helps me to organize my thoughts, forces me to be thorough in my research and makes sure I don’t forget  important details. My outlines include detailed research summaries of articles I want to reference, notes and thoughts, even snippets of unfinished sentences that I want to include.

I developed my outline process as a survival mechanism against the crippling anxiety that writers often experience when starting a new project and faced with a blank page. This way, I have a guide to help me move from chapter to chapter, and I can immerse myself in the writing, knowing that I’ve done the work and checked the research beforehand.

 2. Realistic Expectations 

Image result for you can fix anything but a blank page

Nora Roberts

Fast drafting is a process that addresses the biggest hurdle a writer must overcome: their own doubts. The speed adds an intensity that gets your mind off whether or not you’re using too many adverbs, or if your vocabulary sucks and it forces you to just start writing.

From an expectation perspective, a fast draft will need several revisions, but that’s ok. The goal isn’t to craft perfect prose, but to get everything out on the page in it’s messiest, ugliest form so you can take a look at an early version of the work to spot any weaknesses. The Fast Draft of Decoded made us realize we needed to make some massive structural changes and we were able to do so before we’d invested too much time polishing and editing. And I firmly believe it resulted in a stronger book!

 

I’ll report back in a few weeks to let you know how it went! Wish me luck!

 

 

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Climb The Mountains and Get Their Good Tidings

This post explores some of my thoughts around concepts of Digital Culture.  You can find the other related entries HERE. 

 

*** This is an excerpt from the July Issue of Red Thread’s monthly newsletter. ***

Every month, my co-founder (and sister) Riwa and I pick a theme to explore . This month, we explored technology and nature.

In his 1986 memoir, American evolutionary biologist, E. O. Wilson describes the term biophilia as a fundamental, genetically based need for humans to interact with nature. This month, we spent some time exploring how technology has altered our experiences with the living world.

1. Our experiences of nature are now mediated by technology

Sue Thomas, author of Technophobilia: Nature In Cyberspace ponders whether or not we can get enough nature in the digital world, and explores the natural metaphors we use in our technological lingo. (Surfing the web, virus, cloud).

We have so much of “nature” at our fingertips. With HD quality videos, live streaming webcams, and 3D tours, we can explore the wonders of the world without leaving the comforts of home. In “Nature, Pixelated” Diane Ackerman discusses the paradox of experiencing the natural world through technology that provides greater access and detail while also flattening the sensory experience.

2. Nature continues to exert its influence on innovation and technology.

We’ve created neonatal tape inspired by spider webs, used the reflectiveness of butterfly wings to design a new e-reader display, and that’s just the beginning. Ask Nature, the world’s first biomimicry portal, is an open-source platform cataloguing more than 1200 ways that nature could help us solve some of our biggest challenges.

3. Our adaptivity as a species might work against us

Today we run the risk of “Environmental General Amnesia,” a gradual adaptation to the lack of nature around us will lower each subsequent generation’s baseline of what counts as a full measure experience. Thanks so light pollution, some children have never seen a star in real life. And that might become the “new normal.”

Henry Beston, Writer and Naturalist, wonders about our disappearing connection with nature:

Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. Are modern folk, perhaps, afraid of the night?

Do they fear that vast serenity, the mystery of infinite space, the austerity of the stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs?

 

TL/DR: 

The good news: Technology is making it easier for us to exchange information and find solutions to solve the mounting environmental crisis. The bad news: The source of most of the planet’s problems? Us.

 

 

***

The full edition of the newsletter includes awesome links, downloads and other extras. Enjoy!

Chinese Edition of The Decoded Company!

Instragram: @foushy

A quick post to share some news!

I just received one of the first copies of the Chinese Edition of The Decoded Company! I’m so happy that our work will continue to reach new markets!

Hopefully, this will lead to more trips to Asia, one of the places I haven’t visited as much as I’ve wanted to!

 

New York: The Sketchbook Project

This post, is a part of my thinking and research for my new book, HUSTLE & FLOAT that centres around the tensions between productivity and creativity. You can follow other related entries here

 

From my Instagram @foushy

One of my best friends, Dan, organized an amazing surprise for me during my last trip to NYC: a visit to the Sketchbook Project in Brooklyn, a crowd-sourced library that features more than 33,000 artist sketchbooks from around the world. Free to the public, you can use the handy mobile site to search through the massive collection using keywords, locations or artist names.

If you’re a creative, this place is pure heaven. I’ve been obsessed with perusing people’s sketchbooks online for years, and we easily spent a few hours diving into the imaginations of strangers. It. Was. Awesome. If you’re headed to NYC in the near future – add this to your list of must-sees! If you’re too far away to enjoy, worry not! There’s  a digital version of the library too.

 

I was so inspired by the experience – there’s nothing like being surrounded by creative work. The space just had a vibrant energy that had be eager to get back home and work on my own stuff! It was incredibly useful for my Hustle & Float research and I’m already trying to figure out when I can go back to spend some more time there. I’m even toying with the idea of submitting my own sketchbook! 😉

 

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